Monthly Archives: February 2011

shades of 1848: gulps of reality in a pure state

For many, what is transpiring in the Arab world, bears resemblance to another year of revolution: 1848. When the inevitable reaction to these toppling of regimes takes place, will it recall the sad end of 1848 when the springtime hopes … Continue reading

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thinking out of a box: ”le smack down” 2.0

Raw and provocative. Thinking out of the box. What should an art museum look like? Something that would whiff of a little notoriety, distinguish itself….. In the case of a new, out of the blue proposal for the Whitney Museum, … Continue reading

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dix & the creative curse: if hollywood say so its O.K.

The idea was to find an idiom that best suited him to criticize the society he found himself: essentially, a capitalist bourgeois Germany. After returning from the front, he passed through the expressionist, futurist and dada schools before settling on … Continue reading

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chopin of dissonance: nocturnes on renunciations of reality

For sixteen prolific years in France prior to splitting with George Sand, Chopin had produced an uninterrupted stream of masterpieces on such a consistently brilliant level of craftsmanship and invention that it is well-nigh impossible to talk of a bell … Continue reading

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Oscar and the academy specter of death: just drink it like socrates

Its a metaphor for orgasm. Sex and death. The French term it “le petite mort” or the little death, where sex and death are linked from the spiritual release that comes with orgasm. As the Oscars get handed out, are … Continue reading

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Sand and Chopin….. etudes of the muse or the ballade of the…vampire

George Sand is often cast as the villain of the piece, though actually, she did wonders for Frederic Chopin by shielding him from the buffetings of the world. Chopin’s connection with Madame Dudevant, the French novelist, better known as “George … Continue reading

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An Oscar for the “male gaze”

Since the first biblical patriarchs wandered out of Babylonia to the Egyptian Pharoahs and through the Greek theatre of Aristophanes to modern Hollywood, the male hero has been the center of the universe. Copernicus proved “man” was not the center … Continue reading

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liberated from foursquare classical rhythms

His life was brilliant and brief, much like his masterpieces on the piano. This segment tracks Frederic Chopin in Paris. He had left Poland to spend eight inhospitable months in Vienna before making his way to Paris at he time … Continue reading

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failures of empathy:aesthetics of doubt

The basic problem that Walter Benjamin was uncovering was the relation between law and justice as it leaned on violence.The struggle of the divine power with mythological violence.  His “Critique on Violence” addressed the question of whether violence in the … Continue reading

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Chopin and the unpredictable mazurka

Chopin’s Polishness went deeper than the color of his passport. From a musical standpoint, in fact, it was of paramount importance because of the way Polish folk music shaped his whole thinking on questions of rhythm and melody. His formal … Continue reading

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