The stereotype of the Indian from India in American culture has been an enduring one, in part inherited from British colonialism and shoehorned into the mass media tropes that frame our present perceptions. If all the oppressed and colonized peoples were to rise up and clean out the lackeys and puppets doing the bidding in the radically antaonistic, violent riposte as the only interlocution possible with the colonial power in the framework of Fanon or Edward Said, the world would be ablaze in a conflagration of nihilistic global proportions; the apotheosis of Walter Benjamin’s messianic violence, anarchist heaven and the apocalypse in one short fuse of glory before the big kaboom.
At root is a certain narrative, essentially on the alleged laziness and shiftlessness of the native that is not seen through the optic of a form of resistance but as a genetic inferiority that can’t adapt to the Western system of consumption, instead of the more likely ingenious evasions of work seen by the oppressor as tangible and bonafide evidence of native inferiority and absence of backbone and character. As 2012 winds down, the knifes are being sharpened for Romney and his allusions to Churchill. Its Leftist prop since Obama may be worse, the archetypal “nigger king” who can pacify the natives….
( see link at end)…If Obama is to be castigated as an anti-colonial radical, it is seemingly acceptable among US conservatives to embrace an “Anglo-Saxon heritage” and Churchill. Those who know anything of India’s anti-colonial fight recognize that the villain of the piece was Churchill. His words from May 1943 should be embroidered into a tapestry to hang near the mirrors of every Indian household, to remind us of his perfidy, “I hate Indians,” he said, “They are a beastly people with a beastly religion.”

–Winston Churchill at a Painting Easel, January 7, 1946
by Hans Wild—Read More:http://www.allposters.com/-sp/Winston-Churchill-at-a-Painting-Easel-January-7-1946-Posters_i4469548_.htm
…The context for this outburst was straightforward. A famine stalked the land in Bengal. This had been produced by the removal of vast quantities of foodstuff to feed the British population and the troops in West Asia and North Africa as well as to build up a stockpile in case of the imminent collapse of Nazi Germany. Even at the height of the famine, Churchill blocked the diversion of ships of grain from Australia to Calcutta. As Madhusree Mukherjee writes in her important study of the famine, Churchill’s Secret War (2010), “The sole sacrifice that ordinary Britons were asked to make in response to the shipping crisis of 1943 was to eat multigrain bread.” Meanwhile, in Bengal, between 1 and 5.4 million people died. At the War Cabinet meetings if anyone raised the question of the Bengal famine, Churchill would fulminate about “British workmen in rags struggling to pay rich Indian mill-owners.” As Field Marshall Wavell put it, Churchill “hates India and everything to do with it.”

—It was one of the most famous portraits ever made. Some say it is the most reproduced image in history. It was on the cover of LIFE magazine when WWII ended. The photo was taken by one of the most famous portrait photographers, Yousef Karsh–known as Karsh of Ottawa–on 30 December, 1941, after Churchill gave a speech to Canadian House of Commons in Ottawa. [On the 60th anniversary of that famous speech, Canada honored Karsh and Churchill with a commemorative stamp featuring above photo.]
Karsh was hired by the Canadian government to do this portrait and knew he would have very little time to make the picture. He began by researching Churchill, taking notes on all of the prime minister’s habits, quirks, attitudes and tendencies. When he finally got Churchill seated in the chair, with lights blazing, Churchill snapped “You have two minutes. And that’s it, two minutes.” The truth was that Churchill was angry that he had not been told he was to be photographed; he lit a fresh cigar and puffed mischievously.
Karsh asked Churchill to remove the cigar in his mouth, but Churchill refused. Karsh walked up to Churchill supposedly to get a light level and casually pulled the signature cigar from the lips of Churchill and walked back toward his camera. As he walked he clicked his camera remote, capturing the ‘determined’ look on Churchill’s face, which was in fact a reflection of his indignantcy. —Read More:http://iconicphotos.wordpress.com/2009/07/31/winston-churchill-by-yousef-karsh/

—“A remarkable example of modern art” growled Churchill when the grateful parliament presented him with a portrait for his 80th birthday in 1954. A painter himself, Churchill did not like the portrait by Graham Sutherland for it depicted him as a querulous old man instead of the bulldoggish statesman who had faced down Hitler.
Sutherland was commissioned by both Houses of Parliament to paint a full-length portrait of Churchill in 1954, for which only this study survives. The finished painting, presented to Churchill, was destroyed by his wife Clementine Churchill.—Read More:http://iconicphotos.wordpress.com/2009/06/03/churchill-and-his-portrait/






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