Count your blessings. But in disguise. Arkansas Republicans washing and pressing their white hoodies jest’ in case. They have a DVD copy of Griffith’s Birth of a Nation, and are dusting off the salad day photos of the John Birch Society. These are not neo-Confederates who like good ole’ boys want to wax poetic, or even fantasize as psycho killers like Dennis Hopper in Paris Trout, or be a free spirit like a Duke of Hazzard. They are just run-of-the-mill “ordinary” folk with southern sensibilities who might read Eustace Mullins ; in fact Muslims are such an obsession, its like a transfer of anti-Semitism onto a new target. The latest rant from fringe candidate Jon Hubbard is Crankville all over it, but reinforces broader American doctrine on slavery by limiting to a known known as they say, instead of turning over the rock and picking at the worms and bugs festering at the core of the concept of slavery and its intrinsic relation to American prosperity and social structure; the sad legacy of white slavery and their disposability as cannon fodder for the American dream, followed by the Black tragedy and continuing unabated really if we look at the effect of colonization and financial strangulation of the Arab world and whoever else gets in the way of a heady good time. Hey, if Barack Obamster can starve Arabs to death with sanctions, these bit actors are small chow…
( see link at end)…There’s also Rep. Jon Hubbard of Jonesboro, famously unhinged, who’s put some of his choicest thoughts on paper in a book available on Amazon, “Letters to the Editor: Confessions of a Frustrated Conservative.” I’d heard a lot about this book and was talking to Lindsey Millar this morning about ordering a copy. But Michael Cook at Talk Business has already written about some choice excerpts. I confess that publicizing thoughts such as these might only serve to encourage the Republican voter base. But the truth will set someone free. Excerpts selected by Cook and others:

—William Aiken Walker (American painter, 1839-1921) Cotton Pickers
William Aiken Walker (1838-1921) was born in Charleston, South Carolina. Walker had his 1st one-man show at the 1850 South Carolina Institute Fair. After the Civil War, where he sketched for the Confederate Army, Walker began visiting southern resort areas, where he painted small genre paintings for tourists charging between 50 cents & $3. —Read More:http://b-womeninamericanhistory19.blogspot.ca/2010/10/reconstruction-in-south_3021.html
Slavery was good for black people:
“… the institution of slavery that the black race has long believed to be an abomination upon its people may actually have been a blessing in disguise. The blacks who could endure those conditions and circumstances would someday be rewarded with citizenship in the greatest nation ever established upon the face of the Earth.” (Pages 183-89)
If you think slavery was bad, you should have seen Africa:
African Americans must “understand that even while in the throes of slavery, their lives as Americans are likely much better than they ever would have enjoyed living in sub-Saharan Africa.”
“Knowing what we know today about life on the African continent, would an existence spent in slavery have been any crueler than a life spent in sub-Saharan Africa?” (Pages 93 and 189)

—Details of paintings depicting 1811 Louisiana slave revolt by New Orleans folk artist Lorraine Gendron.—Read More:http://www.thestar.com/news/world/article/926867–untold-story-of-u-s-slave-rebellion-retold-centuries-later
Black people are ignorant:
“Wouldn’t life for blacks in America today be more enjoyable and successful if they would only learn to appreciate the value of a good education?” (Page 184)
Integration was bad for white people
“… one of the stated purposes of school integration was to bring black students up to a level close to that of white students. But, to the great disappointment of everyone, the results of this theory worked exactly in reverse of its intended purpose, and instead of black students rising to the educational levels previously attained by white students, the white students dropped to the level of black students. To make matters worse the lack of discipline and ambition of black students soon became shared by their white classmates, and our educational system has been in a steady decline ever since.” (Page 27)
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—Artist
Ilya Repin (1844–1930)
Description Russian: «Бурлаки на Волге»
Barge Haulers on the Volga
Date 1870 – 1873—Source: WIKI







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