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Tag Archives: George Grosz
hanging by a thread
Max Beckmann studied medieval German art, the triptychs, loaded with gory, violent scenes of Christian martyrdom, at its most inglorious and vulgar incarnations of the human grotesque. In his modern condition, the contradictions of Weimar, there is none of the … Continue reading
Posted in Feature Article, Ideas/Opinion, Modern Arts/Craft
Tagged Erhard Gopel, fabrizio Laurenti, George Grosz, Hannah Arendt, Madame Pickwick, madame pickwick art blog, Max Horkheimer, Mussolini hanged, New Objectivity painting, Otto Dix, Piazzale Loreto, sergio luzzatto, Theodor Adorno, Weimar Germany art
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fantastic realism
She represented the opposite of the one dimensional society that was being constructed around her. Contrary to the nazi idea of purity, the well-managed in-bred society in the quest for the authentic human being and with the help of eugenics, … Continue reading
brecht: cleaning out the stale slag of feeling
The why of Bertolt Brecht’s popularity in America has always been a bit complicated. One way or another, the United States held a personal fascination for Brecht, and his attitude towards it developed through two distinct phases. As a young … Continue reading
Posted in Feature Article, Ideas/Opinion, Music/Composition/Performance
Tagged Antonin Artaud, Bertolt Brecht, boyd tomkin, Charlie Chaplin, christopher caudwell, deidra gwyther, don coker art, erwin piscator, George Grosz, helene weigel, john doyle director, martin esslin, martin esslin brecht, pacifism, Walter Benjamin
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apocalypse: yearning for nihilion
the Apocalypse has always held a particular fascination in the American imagination from religious fundamentalism to secular fear-mongers of nuclear holocaust, new age warnings of environmental apocalypse and economic armageddon because of greedy bankers and those sneaky poor who cheat … Continue reading
cabaret voltaire: an arcade project
Dada as just another shop, another boutique in the arcade? Dada put into question the myths surrounding originality, and the relationship of the artist to the category of “genius”. Dada suggested instead, or implied that everyone could be an artist, … Continue reading
Posted in Feature Article, Ideas/Opinion, Modern Arts/Craft, Music/Composition/Performance
Tagged Andy Warhol, cubism and dada, Donald Kuspit, emily hennings, Ernst Bloch, Francis Picabia, futurism and dada, George Grosz, Guy Debord, Hans Richter, Hugo Ball, Marcel Duchamp, Max Ernst, miles w. mathis, Raoul Hausmann, Richard Huelsenbeck, situationism, Tristan Tzara, Voltaire, Walter Benjamin, walter benjamin dada
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disruptive mobility: mop up the unemployed imagination
Art that contradicts by showing its contradictions, its unresolvable tensions, will usually end up being debunked and marginalized as a distortion to a broader picture.A random anomaly to be forgotten. There is a tendency to want to keep our morals, … Continue reading
Posted in Art History/Antiquity/Anthropology, Cinema/Visual/Audio, Feature Article, Marketing/Advertising/Media, Miscellaneous, Modern Arts/Craft
Tagged Bersani, Cindy Sherman, Colin Maccabe, Conrad Felixmuller, Craig Owens, Donald Kuspit, E.H. Gombrich, Edward Bernays, Felix Nussbaum, Francisco Goya, George Grosz, Gottfried Helnwein, Goya, Guy Debord, Leo Bersani, Mark Vallen, Max Beckmann, Sigmund Freud, T.S. Eliot, Ulysse Dutoit
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