Tag Archives: Hilton Kramer

bohemia on central park west

Art mirrored life and vice-versa in painter John Koch’s polished household, a milieu that was as far from a traditional garret as one could get… About eighty New York  blocks separated the sumptuously appointed fourteen-room apartment of the painter John … Continue reading

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max has wings

Its such a weird story and Picasso was such a cowardly figure. The myth of the great resistor is bunk. How di he get to paint so prodigiously during the war with the finest materials available? Max Jacob knew the … Continue reading

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conceptual pradoxes: mock logical ironies

His paintings are enigmatic, or are they? hermetic, sometimes didactic, not exactly pop art, nor even op-art, nor anti-art. Also enigmatically, they are regarded as some of the most influential works of the post WWII period. Success is the most … Continue reading

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business is business

….Courtesy of Brainiac Paul Hamilton: 1st of November 1979: BBC Radio 1, a Saturday afternoon magazine show called ‘Rock On’ (WOOO!), and Kevin Godley & Lol Creme are discussing their new LP ‘Freeze Frame’ with host Richard Skinner. Some excepts. … Continue reading

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spirits having flown: another gray morning

What is meant by the spiritual in art is not self-evident; its been lost in translation, like finding the code to understanding Van Eyck’s Ghent altarpiece, its becoming extinct as a graspable part of the lexicon and daily interchange. The … Continue reading

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9/11: reaching for the noble among the ruins

Politics in art seems almost inevitable, especially the emotional issue surrounding 9/11, national identity and larger geopolitical concerns which with the unfolding of the Arab Spring, perhaps a metaphor for “regime change”, bring to light an arc of economically motivated … Continue reading

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brillo pad to kraft dinner to goldfish: integral equations

Maybe it was supposed to be a fake. This whole PR campaign that faked an incident where Banksy transformed the Jesus the Redeemer statue in Rio de Janeiro into Bin Laden was a photo-shop effort. But, though inauthentic and phony, … Continue reading

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MATISSE: Cut,Paste & Taste

That Matisse would abandon oil painting and adopt a new technique so late in his career was a surprise to many people, although it need not have been. Paper cutouts were, of course, convenient for a semi-invalid, but Matisse had … Continue reading

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MATISSE: War Years and the Morals of Color

Certainly, the war years seems to bring out some ambiguous behavior on the part of French artists in occupied France. On the one hand, it greatly reduced the competition from foreign sources and citizens not of the “vieux souche” , … Continue reading

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MATISSE: Line Dance With Color

Matisse emerged from WWII with a reputation among living painters second only to that of Picasso. The fresh interest in Matisse was stimulated by a late flowering in many phases of his art- drawings, book designs, and oil paintings- which … Continue reading

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