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Tag Archives: Ingres
MAN-EATERS: MASTERPIECE OF THE RAW & UNCOOKED
The cannibal in written records was originally a story about what existed beyond the boundaries of the known. It kept the wild and the civic state apart. Sometimes, however, it brought them together: Othello seduced Desdemona with his tales of … Continue reading
Posted in Art History/Antiquity/Anthropology, Cinema/Visual/Audio, Feature Article, Ideas/Opinion, Literature/poetry/spoken word, Miscellaneous, Modern Arts/Craft, Visual Art/Sculpture/etc.
Tagged Alhadeff, Bill Casselman, Christopher Columbus, Dali, Eugene Delacroix, Father Labat, Gericault, Hannibal Lecter, Ingres, Jacques-Louis David, Jean Jacques Rousseau, John Locke, Jonathan Swift, Lenin, Marco Polo, Marquis de Sade, Maurice Sendak, Michel de Montaigne, Michelangelo, Montaigne, Nicolas Poussin, Osamu Fukutani, Othello and Desdemona, Restoration France, Robinson Crusoe, Salvador dali, Sigmund Freud, Theodore Gericault, Thomas Hobbes, Tim White Cannibalism, Voltaire, William Dafoe, William Shakespeare
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HOLD ME MY DADDY SO I CAN LIFT YOU UP
” Hold me my daddy, I never felt lower than dirt on the floor. I say hold me my daddy, I never felt like crying oceans before. If this means war, why are we in it? Might’ve fired off a … Continue reading
Posted in Feature Article, Ideas/Opinion, Literature/poetry/spoken word, Miscellaneous
Tagged Diogenes, Fielding Tom Jones, Freud, Homer, Homer The Iliad, Homer The Odyssey, Ilya Repin, Ingres, J.A.D. Ingres, James Mill, John Stuart Mill, Joseph D. Matarazzo, Michael Ferguson, Mike and the Mechanics, Plato, Polymathica, Sigmund Freud, Socrates, Teddy Roosevelt, thepolymathicablog.blogspot.com, Tom Jones, Turgenev, W.C. Fields, XTC, XTC Andy Partridge
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THE HAREM, THE SULTAN, THE PAINTER, THE EUNICH & HIS LOVER
”The pressures of being prince aren’t easy in any royal family, and history is full of eccentric rulers, warped by a childhood spent under a golden thumb. But the stakes in the house of Osman were higher then in any … Continue reading
Posted in Art History/Antiquity/Anthropology, Feature Article, Ideas/Opinion, Miscellaneous, Visual Art/Sculpture/etc.
Tagged 3 Mustaphas 3, Alev Lytle Croutier, Charles Kimball, curious expeditions.com, Dimitri Cantemi, Gentile Bellini, Grand Seraglio, Ibrahim and Sugar Cube, Ibrahim the Mad, Ingres, J.A.D. Ingres, Jason Goodwin, Kosem sultan, Maypeyker Kosem, Murad III, Ottoman art, Ottoman Empire, Ottoman Empire Art, Queen Elizabeth I, Sultan Ibrahim I, Sultan Selim the Grim, Sultan Suleiman the Magnificent, Turkish History
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PORTRAIT OF REENACTMENT
The unknown lady below sat for this luminous portrait in the middle of the fifteenth century. Her cone shaped henin is fastened with a velvet loop beneath her chin and pushed back to reveal the high, plucked forehead so much … Continue reading
Posted in Art History/Antiquity/Anthropology, Feature Article, Miscellaneous, Modern Arts/Craft, Visual Art/Sculpture/etc.
Tagged Chester Dale, Eugene Delacroix, History Portrait painting, Ingres, Ingres Monsieur Bertin, J.A.D. Ingres, John Singer Sargent, Michelangelo, Petrus Christus, Pietro Annigoni, Portrait painting, Queen Elizabeth I, Salvador dali, William Draper
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LEGENDS ON THE WILD SIDE
Of all creatures on earth, the rhinoceros appears at first glance the least likely to be associated with the art of love. The great horn that decorates his nose, and from which his name is derived, is not generally considered … Continue reading
Posted in Art History/Antiquity/Anthropology, Feature Article, Literature/poetry/spoken word, Miscellaneous, Modern Arts/Craft, Visual Art/Sculpture/etc.
Tagged Aaron Ross, Albrecht Durer, Dali Rhinoceros Horn, Ingres, Josh Sonnier, Leonardo Da Vinci, Marco Polo, Odell Shepard, Paul Cezanne, Raphael, Rhinoceros, Richard de Fournival, Salvador dali, Salvador Dali Vermeer, The Unicorn Tapestries, Theo Jansen, Velasquez, Vermeer the Lacemaker, Vermerr Dali Rhinoceros
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MIRROR MIRROR ON THE EASEL
who is the fairest painter since Medieval?.” I’m maybe not as good as Raphael”, he once conceded, ”but there is more tension in my canvases”. One of the greatest admirers of his own haunting portraits was the eccentric Russian called … Continue reading