Tag Archives: Alan Woods

the future was now: faster faster

There has always been a link, an association, between Italian futurism and different strains of fascism. Ironically, futurism’s desire to overthrow the old and was followed in a parallel manner by the Dadaists and Marcel Duchamp to overturn existing aesthetic … Continue reading

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ghosts of bordeaux: deceptions and perceptions

A seventy-seven year old Francisco Goya left Spain for France in 1823; he still held his position as first painter to the court, but even so, with the final triumph of Ferdinand, he had gone into seclusion. Goya saw Spain … Continue reading

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3 rd of may: shoot in may and go away

Like all great historical and philosophical themes, analyzing the Third of May is somewhat vulnerable to some superficial and not necessarily valid interpretations. The originality of Goya’s treatment in his depiction of the executioners. Where they might expectedly have be … Continue reading

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grim tidings: disasters and masters of war

A preoccupation with mystery, violence and the irrational was always present in Goya’s art. As the years passed, casual observations of the foibles and horrors of the world were transfigured into a vision of life that came to dominate his … Continue reading

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caprichos: folly ridden assemblies

The “Caprichos” of Francisco Goya were among the first etchings to be done with aquatint, and were completed between 1796 and 1798 then put on sale the following year in book form. They had begun to take shape in the … Continue reading

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viscious frailties at the most extreme

At the Spanish court, Goya was advantageously placed to observe vicious frailties at their most extreme. At the time that he became Painter of the Household, Charles IV had just succeeded to the throne in place of an elder brother … Continue reading

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an enemy of irrational tendencies

Goya’s life was split in two near its midpoint by an illness that very nearly killed him when he was forty-six years old. If he had died, he would have left a large body of work establishing him as one … Continue reading

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revolutionary for reason: consciousness of a tragic humanity

Horror. The world one usually associates with the work of Goya. Even in his brilliant early years as a court painter, an air of evil hung suspiciously in the background of his rococo paintings. Then, after his illness, they lept … Continue reading

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ACROSS AN EPIC NOT INTIMATE UNIVERSE

”But Turner—especially in his own last years—was not at all hostile to the incoming empire of technology. Quite the opposite: he believed that the speeding train or the chugging paddle steamer could be turned into a visual lyric that married … Continue reading

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CHAOS AND CREATION: ANTAGONIZING THE FIRST MOVERS

Joseph Mallord William Turner has been called a single genius; unique among England’s many painters of talent, intelligence and originality. A magician at creating absurd sensory perceptions that evoked deep mystery, and a sense of he fugitive, through a force … Continue reading

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