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Tag Archives: Antonioni
A COSMOS DEVOID OF ABSOLUTES
”Antonioni’s breakthrough masterpiece, L’Avventura, paints an austere picture of late modernity. If Stanley Cavell is correct to say that the cinematic apparatus delineates a world that transcends beyond the framed canvas of the traditional painted image (that is, we wonder what … Continue reading
DOOMED TO MALAISE & ALIENATION
”After the release of L’Avventura, the bold aesthetic risks Antonioni took with the film received so much criticism the filmmakers were booed at the initial Cannes Film Festival premiere (where, after much controversy, the film also subsequently won the critics’ … Continue reading
IDEALS THAT LACK COMFORTING POETRY
It was loudly booed. The year was 1960, the place was Cannes and the film was L’Avventura. Two years later it was voted one of the ten best films of al time in an international poll conducted by a British … Continue reading
Posted in Art History/Antiquity/Anthropology, Cinema/Visual/Audio, Feature Article, Miscellaneous, Modern Arts/Craft, Music/Composition/Performance
Tagged Albert Camus, Antonioni, existentialism, film classics, Film history, Jean Paul Sartre, Jim Emerson, L'Avventura, Martin Scrosese, Michaelangelo Antonioni, Samuel Beckett, The Man Who Set Film Free
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