Tag Archives: Chaplin

hide and seek: the workingman’s burden

Does it pay never to work a day in the life? Save no money. Have no marketable assets. Yes and no. It does depend on the lifestyle one is accustomed to. It would be pushing “voluntary simplicity” to an extreme … Continue reading

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like a brick in their pocket : and now What? …

Why not strive for fame. “The Bitter Ones” say its a need to be envied and that going “viral”- a term which is in itself a euphemism for something that doesn’t exist, is virtual, and has no real meaning- is … Continue reading

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BETWEEN THE NAVEL AND THE KNEES

Charlie Chaplin represented a vision of laughter, of comedy, that tore away at the veil, a social burka fitted over its explosive and unpredictable composition.A contrast of fast nickelodeons and the slow dimes of higher culture. He enabled a reconnection … Continue reading

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STRANGE AFFINITY

More than half a decade before Chaplin was to ridicule Hitler’s spectacle of charismatic greatness in the Great Dictator, Walter Benjamin already emphasized the strange affinity between the comedian and the politician. Accordingly, Hitler and Chaplin appear as products of … Continue reading

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MYSTERY BEYOND THE GOLD RUSH

When one writes about Chaplin, discussion of a ”best” work inevitably results in his most ardent supporters agreeing to disagree in choosing his best feature length work or short film. Less contentious is the selection of a favorite example to … Continue reading

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Maginot Line of Laugh Resistance

A hyperactivity bordering on cartoon animation. Excessive bad faith.Spontaneous fits of anger , excitability, impatience and crankiness bordering on the absurd. French actor Louis de Funes was undoubtedly the French King of Comedy in the 60-70’s and created a cinematic … Continue reading

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Ambiguities of Modernist Ecstasy

”…the one who comes walking is Chaplin who brushes against the world like a slow meteor even when he seems to be at rest; The imaginary landscape that he brings along is the meteor’s aura which gathers here in the … Continue reading

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Disenchanted With the Jargon of Laughter

… a false sense of liberation masking blind conformity to a cruel social order. That in sum is the view of the comedic arts from Theodore Adorno (1903-1969), philosopher, musicologist and culture expert. These arts fell into what Adorno termed … Continue reading

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