Tag Archives: Ingmar Bergman

big country: call of the wild

Its a great business model. He travels into the far north, the deep tundra, and paints wilderness from within. He has corporate sponsorship from parka to paint brush and he even carries a rifle to defend himself and sometimes his … Continue reading

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santa maria: cantiga of the bad and bawdy

But the most astounding of all his books are the superbly illustrated manuscripts of the Cantigas de Santa Maria- the royal collection of poems in praise of the Virgin, which is one of the great art treasures of the Middle … Continue reading

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unsparing visions of excess

Viridiana, a ferocious imagery that startled movie-goers at its time. The Left ethos that encapsulated everything from Le Chien Andalou ( 1929) , The Young One,The Damned, Stranger in the Room, The Roots, etc. Like Bergman and Fellini this was … Continue reading

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angels and demons not included

Ingmar Bergman’s religious views, his particular spiritual ideology have always held interest because unlike a Dawkins or a Hitchens, there is always nuance and ambiguity to Bergman’s views, always a few hidden back door and small windows with cracks in … Continue reading

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farewell to winter light

Ingmar Bergman and god. Antagonistic and at arm’s length and without resolution. A movement between finding security in the idea of god and then followed by severe and chronic bouts of doubt. Maybe its all about a desire for security, … Continue reading

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i am curious yellow cheese

Lets go back to Ingmar Bergman. He once called Protestantism, “a wretched kettle of fish.” How to understand this Swedish pastor group and its anti-semitism? Bergman was always interested in the reasons, osbscure and unknowable behind unmotivated cruelty and the … Continue reading

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scorched earth policy: the burning fiddler

The dull oppressive heaviness of Nazi neo-classicism. The scorched earth policy. Everything to repress regeneration and to seal off the gases of expressionist madness that could escape and find their way into the water. It was a meaningless world. If … Continue reading

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monster mice: illusion and kitsch

The exaggerated gestures and actions that formed a necessary basis for silent films could only live on in cartoon animation where American eccentrism could still be articulated, capturing the wild speed of a Chaplin, Keystone Cops, slapstick and other representations … Continue reading

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seventh seal : sitting out the last dance

A dog-tired knight on his return journey from the Crusades travels through a country plagued by the plague where he meets, in a literal sense, death himself. Not death warmed over, but death. Unambiguous death in black and white. The … Continue reading

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shutting out the dark area

Holding the traumatic moment; gripping it to prevent it from bounding into the realm of the spectacle. The culture of the spectacle, dazzled, doped and duped by its connection to technology where issues are dealt with as another aspect of … Continue reading

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