Shake your hips
Tag Archives: Linda Seidel
too many dicks: aye eyck
Most academic interpretations build upon an existing structure of debate.It could be called the common-law approach to artistic jurisprudence.It is based on the idea that future interpretations of various phenomena will be like the past, except more so. Once case … Continue reading
Posted in Art History/Antiquity/Anthropology, Feature Article, Ideas/Opinion, Modern Arts/Craft
Tagged arnolfini marriage portrait, Clement Greenberg, Edward Hopper, elizabeth abbott, Erwin Panofsky, Franz Kafka, ian verstegen, Jan van Eyck, John Haber Art, Jonathan McIntosh, Linda Nochlin, Linda Seidel, Martin Buber, Meyer Schapiro, susan fromberg schaeffer
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ABSTRACT EMOTIVE DEVICES: Pathos of a Single Perpetual Moment
Rogier van der Weyden, if for a moment he can be regarded as a pure stylist, is an unexcelled master designer. The Magdalen at the far right of “Deposition” is one of the most exquisitely costumed and patterned figures in … Continue reading
Posted in Art History/Antiquity/Anthropology, Feature Article, Ideas/Opinion, Miscellaneous, Visual Art/Sculpture/etc.
Tagged Craig Harbison, Da Vinci, Elizabeth Losh, Erwin Panofsky, Flemish Art, Flemish painting, Jan van Eyck, Kim Woods, Laura Gelfand, Leonardo Da Vinci, Linda Seidel, Michael Glover, Mitchell B. Meiback, Mitchell B. Meibeck, Pierre Bordieu, Renaissance Art, Robert Campin, Rogier van der Weyden, suzie nash
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GUILTY and SATISFIED: Just Above Paradise
Within a single generation early in the fifteenth century, three Flemish artists gave final, consummate expression to the Gothic spirit. … There was a fascination with the world for its own sake , as a visual phenomenon, that was allied … Continue reading
Posted in Art History/Antiquity/Anthropology, Feature Article, Ideas/Opinion, Miscellaneous, Visual Art/Sculpture/etc.
Tagged Annette Labedzki, Craig Harbison, Dr. Beth Harris, Dr. Steven Zucker, Edwin Hall, Erwin Panofsky, Flemish painting, Hubert van Eyck, Irwin Panofsky, James Snyder, Jan van Eyck, Kim Woods, Laura Gelfand, Linda Seidel, Northern Renaissance Art, Pacht, Patrick Bernauw, Peter Voorn, Peter Vroom, Renaissance Art, Robert Campin, Susan Jones Caldwell College, suzie nash, The Lost Dutchman
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#FLEMISH EYE: Sanctity of the Bourgeois
All that is needed to appreciate Flemish painting, Michelangelo once observed, are two eyes and an interest in facts. He was alluding to the intense realism, the extreme precision, and the illusionistic impression of light and atmosphere with which the … Continue reading
Posted in Art History/Antiquity/Anthropology, Feature Article, Ideas/Opinion, Miscellaneous, Visual Art/Sculpture/etc.
Tagged Book of Hours Bruges, Erasmus, Erwin Panofsky, Flemish painting, Jan van Eyck, Joachim Patinir, Limbourg Brothers The Book of Hours, Linda Seidel, Michelangelo, Northern Renaissance Art, Petrus Christus, Quentin Massys, Renaissance Art, Robert Campin, Rogier van der Weyden
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STATIC MOVEMENT: Where To Draw The Line
“…Meaning is neither found nor given, but that it takes shape arbitrarily, and that it is dependent upon associations and circumstances that scholars, artists, and viewers all bring to their engagement with paintings. It is not constructed by any one … Continue reading
Posted in Art History/Antiquity/Anthropology, Feature Article, Ideas/Opinion, Miscellaneous, Visual Art/Sculpture/etc.
Tagged Craig Harbison, Dr. Beth Harris, Erwin Panofsky, Jan van Eyck, Jenny Graham, John Haber Art, Kim Woods, Laura Gelfand, Linda Seidel, Master of Flémalle, Peter Voorn, Pierre Bordieu, Robert Campin, Rogier van der Weyden, suzie nash
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PERSPECTIVE: Uncanny Leaps of Expression and Identity
Within a single generation early in the fifteenth-century, three Flemish artists gave final, consummate expression to the Gothic spirit… Perspective, as a systematic distortion paralleling the action of the eye- which is all perspective is, mechanically- becomes a form of … Continue reading
Posted in Art History/Antiquity/Anthropology, Feature Article, Ideas/Opinion, Miscellaneous, Visual Art/Sculpture/etc.
Tagged Annette Labedzki, Arnofini van eyck, Craig Harbison, Dr. Beth Harris, Dr. Stephen Zucker, Edwin Hall, Elizabeth Losh, Erwin Panofsky, Flemish painting, Jan van Eyck, Jenny Graham, John Haber, John Haber Art, Laura Gelfand, Linda Seidel, Master of Flémalle, Northern Renaissance Art, Peter Voorn, Pierre Bordieu, Renaissance Art, Robert Campin, Rogier van der Weyden, The Lost Dutchman
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PASSION & ELEGANCE: Uneasy Companions
The work of Jan van Eyck, with its balanced, reserved, and dignified realism. is usually considered the summary expression of Flemish genius. His complete Flemishness, along with his unapproachable technical perfection, may explain why his art was less easily assimilated … Continue reading
Posted in Art History/Antiquity/Anthropology, Feature Article, Ideas/Opinion, Miscellaneous, Visual Art/Sculpture/etc.
Tagged Andrew Graham Dixon, Annette Labedzki, Arnofini van eyck, Craig Harbison, Dale Kent, Dr. Beth Harris, Dr. Stephen Zucker, Dr. Steven Zucker, Drogin, Edwin Hall, Erwin Panofsky, Jan van Eyck, Linda Seidel, Master of Flémalle, Patrick Bernauw, Peter Voorn, Robert Campin, Rogier van der Weyden, Thomas a Kempis, Vermeer, William P. Coleman
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SACRAMENTS OF MARRIAGE: Take Your Shoes Off
Jan van Eyck, of all artists, is the one who proves that turning to the world need not mean reduction to the commonplace, and of all his paintings, the double portrait of Giovanni Arnolfini and his bride, Jeanne Cenami, is … Continue reading
Posted in Art History/Antiquity/Anthropology, Feature Article, Ideas/Opinion, Miscellaneous, Visual Art/Sculpture/etc.
Tagged Annette Labedzki, Arnofini van eyck, Craig Harbison, Dale Kent, Edwin Hall, Ernst Gombrich, Erwin Panofsky, Flemish painting, Hubert van Eyck, Irwin Panofsky, Jan van Eyck, Jean Wilson, Linda Seidel, Ludwig Wittgenstein, Martin Gardner, Northern Renaissance Art, Patrick Bernauw, Peter Voorn, Renaissance Art, Susan Jones Caldwell College, The Lost Dutchman, William P. Coleman
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