Tag Archives: Man Ray

americans abroad: in search of “classical” education

The Henry James archetype of the American abroad: Generally painters, novelists or historians of the arts. Almost all of them idlers who live on unearned income and found in Switzerland an ideal tax haven; pensioners an elderly couples stretching their … Continue reading

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revolutionary bluff: pseudo event and image object

It began with Marcel Duchamp. From there it was down the slippery slope to the  avant-gardizing and idealizing of the commodity as a form of esthetic entertainment. The inevitable evolution of market economics to recycle the commodity into various conceptual … Continue reading

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picasso comet

The effect of the rise of esteem in the earlier periods of Picasso automatically put a grip on the reception of the later ones as they came off the easel. Since the end of WWII every freshly painted Picasso was … Continue reading

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the wall street scuffle

The man approached the teller and proceeded to undertake his deposit, transfer money to his line of credit and ended his sequence by a request to order cheques, a package of fifty would suffice, but a greater quantity if less … Continue reading

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languid luxury: the quicksand complex

Inertia as the root of evil. Is it the same as laziness? What to make of leisure present in the ideologized function of art where an aesthetic of laziness seems connected to the notion of conspicuous consumption, comparative preferences and … Continue reading

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artistic terror : conceptual cowardice?

Is Marcel Duchamp a terrorist? In a figurative sense, a weapon of mass destruction. The super-bomb/dirty bomb alchemical chain reaction where crap is turned into monetary gold. Clearly, with the ready-made, there was an initial anti-hierarchical space of thought, something … Continue reading

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cold off the press: money as a readymade

Its smooth. Its stretchy. Its waterproof. But is it a sex toy? It’s a Canadian thing. The days are short, its cold, but underneath the ice and wind, radical, intense passions refuse to be constrained by nature. We have been … Continue reading

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ready made for action

An animal expression in intellectual disguise? An artistic terrorist? An ambassador to the reproductive qualities of art? A parody of art in which the object is a symbol, an interpretation of a subject. Anti-art.  What, exactly, are the ideas that … Continue reading

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Miro and the Tears of A clown: Harlequin Carnival

“Painting or poetry is made as we make love,” said Joan Miro. His personages are hot- blooded, but they have a sense of decency: they do not like to be caught in the act. And so, even while we have … Continue reading

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the dream of the idea: fantasy behind the illusion

It was a time when the world was going terribly wrong. A look at the art of A.M. Cassandre…. by Art Chantry( art@artchantry.com) : This is the cover of Harper’s Bazaar, September 15th, 1939. the cover is by A.M. Cassandre. … Continue reading

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