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Tag Archives: Margaret D. Carroll
BLOOD FLOWERS & HEADS ON THE DOOR
A genre of fiction which first gained popularity in the seventeenth and eighteenth centuries, the epistolary novel is a form in which most or all of the plot is advanced by the letters or journal entries of one or more … Continue reading
Posted in Art History/Antiquity/Anthropology, Cinema/Visual/Audio, Feature Article, Ideas/Opinion, Literature/poetry/spoken word, Miscellaneous
Tagged Aphra Behn, Daniel Defoe, Dickens, Duncan Quinn, E. Derek Taylor, Ellen Moody, George Butte, George Eliot, Hans Baldung, Heather Carroll, Henry Fuseli, James Boswell, Jane Austen, Jane Collier, Jocelyn Harris, John Stevenson, John William Waterhouse, Jolene Zigarovich, Jonathan Swift, kathryn Steele, Leslie Stephen, Lisa Zunshine, Margaret D. Carroll, Mary Davys, Samuel Johnson, Samuel Richardson, Sarah Fielding, Saskia Wickham, Sean Beam, Sean Bean, Sigmund Freud, Siouxsie and the Banshees, Virginia Woolf, Vladimir Nabokov
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THE DODGY MASTER: PSST… ITS EROTIC ABSOLUTISM
“Besides foreshadowing Warhol, Rubens amounted to the Walt Disney of his day—a hardworking industrialist of standardized pleasures. He not only ran his studio as a virtual assembly line; he oversaw the mass production of prints, based on his paintings, and … Continue reading
Posted in Art History/Antiquity/Anthropology, Feature Article, Ideas/Opinion, Miscellaneous, Visual Art/Sculpture/etc.
Tagged Ambroglio di Spinola, Andy Warhol, Archduchess Isabella, Benvenuto Cellini, Bologna, Caravaggio, Counter Reformation, Damien Hirst, Diego Velasquez, Flemish painting, Giovanni da Bologna, Helena Fourment Rubens, Inigo Jones, Justus Lipsius, Macchiavelli, Margaret D. Carroll, Mary D. Garrard, Norma Broude, Olivares, Ovid, Peter Paul Rubens, Peter Schjeldahl, Philip Rubens, Pieter Bruegel the Elder, Rembrandt, Robert Hughes, Seneca, Simon Schama, Walt Disney
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