Tag Archives: Robert Rosenblum

soul portrait: mirror of the moon

Is there a moon in the soul, slivery shivers of light acting as an electro-magnetic field absorbing and expanding sensorial perceptions, like a flashlight vaguely illuminating a dark and unknown attic of our mind…. I saw the best minds of … Continue reading

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cairo: flights into egypt

Sensationalism.The aesthetic of violence in the Society of the Spectacle. The birth of the agitated space and a relishing of absurd charismatic appeal. Art, like the society around it, became caught between the joy of freedom and the fear of … Continue reading

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neither the real or unreal

Does every artist paint him or herself in a portrait? That is, a representation of the alter-ego. Is Girodet’s Belley portrait a reflection of the artist, following the tradition as almost all the great masters have done before? It’s a … Continue reading

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to be equals among equals

Tangled up in the tri-color. Girodet’s portrait of Belley is still a controversial painting whose implications remain pertinent and relevant, embroiled as we are in the same morass that followed the French Revolution.  Girodet was the first artist to cross … Continue reading

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collapsing the geometric order

The search for emotional impact. Classicism and romanticism are only tenuously compatible. Like Cain and Abel, its a contrapuntal piece of music, that if played often enough, like Glenn Gould with Bach, can create some some odd exposures to the … Continue reading

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Lurie: first they came for…NO!

Who owns identity? Who claims authority over the owner of an identity to grant it,  withdraw it, delete it, or void it  from a person in accordance with their own definition? Who sets the rules of the game? Who seals … Continue reading

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Miro and the green paradises of childhood

Perhaps the most striking characteristic of a child’s art is that it cannot go wrong. There are no bad drawings by children; in the same way, there are no bad paintings by Joan Miro. The German dramatist Heinrich von Kleist … Continue reading

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back to the garden: Miro and green paradises of childhood

Perhaps the most striking characteristic of a child’s art is that it cannot go wrong. There are no bad drawings by children; in the same way, there are no bad paintings by Joan Miro. The German dramatist Heinrich von Kleist … Continue reading

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