Tag Archives: Soren Kierkegaard

faking the real: postures in palestine

A modern aesthetic rebellion against bourgeois existence. Its an ambiguous rhetoric, an in-between, between aesthetic and political radicalism that never commits to either; like the British promising the same dunams of land to jew and arab. As protest, it is … Continue reading

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down by the river: it ain’t necessarily so

A space with which the undead can talk without moral constraint. Its a de-mythologizing of what is known as Judeo-Christian thought. Mostly disenchanted and without trust in the Covenant nor faith, slightly minimalist and with nihilistic overtones: fatalistic romanticism trampling … Continue reading

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boredom: waiting for something to happen

and so it is so Modern boredom. Deep-seated boredom. The suspension of relations with reality and its replacement mined from the depths of the netherworld splitting into variations of nothingness; a world without meaning, without autonomy and without larger connections … Continue reading

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televise it: we’re all actors in this

The Revolution will continue after this short commercial break from our sponsors… At one time it would have been hard to imagine that “authenticity” could be used to sell almost any product or service. The ingenuity of the American marketing … Continue reading

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finding your flow: conquering your fear

Guest blog from Tai Carmen of Parallax: Exploring the architecture of human perception. We all know what joy feels like. It feels good. By the same token, we all know the visceral grip of fear, anxiety and dread. The search … Continue reading

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REAL MAD, SOMEWHAT BAD & A LOT OF KITSCH

Henry Fuseli’s ghostly and frightening subject-matter was a visual continuum of the Gothic novel, which developed an aesthetics of terror and horror, was occupied with dreams and the unconscious, and often looked back to the feudal world. Fuseli once said, … Continue reading

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YOUNG MOZART AND FATHER KNOWS BEST

The ecstatic principle of life itself . At least this is how Soren Kierkegaard saw Mozart. ” I am in love  with Mozart like a young girl, Kierkegaard confessed in ”Either/Or”. ”Immortal Mozart I owe you everything; it is thanks … Continue reading

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