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Tag Archives: Ulrike Becks-Malorny
MIXED BATHING:LIFE GARDE, ARRIERE GARDE & AVANT GARDE
“Through the use of such distortions and rigidity of pose, Cézanne is able manipulate his female figures to attain greater control over their sexuality. In addition, in his Nudes in a Landscape (1900-1905), Cézanne’s confinement of his nudes becomes almost … Continue reading
Posted in Art History/Antiquity/Anthropology, Feature Article, Ideas/Opinion, Miscellaneous, Modern Arts/Craft, Visual Art/Sculpture/etc.
Tagged Brice Marden, Camille Pissarro, Dr. Beth Harris, Dr. Stephen Zucker, Emile Bernard, Emile Zola, Francoise Cachin, Henri Matisse, Jessica Fields, John Adkins Richardson, John House, Kathleen Adler, Kurt Badt, Meyer Schapiro, Pablo Picasso, Paul Cezanne, Richard Brettell, Richard W. Murphy, Theodore Reff, Ulrike Becks-Malorny
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THROUGH THE DEADENING MOLD OF CONTEMPORARY CONVENTION
“Picasso developed Cézanne’s planar compositions into cubism, and Matisse greatly admired his use of color. He used color with passion and creativity, giving his brush strokes structure, solidity, durability. Pablo Picasso said the following of the artist “My one and … Continue reading
Posted in Art History/Antiquity/Anthropology, Feature Article, Ideas/Opinion, Miscellaneous, Modern Arts/Craft, Visual Art/Sculpture/etc.
Tagged Auguste Renoir, Brice Marden, Camille Pissarro, Cezanne, Emile Zola, Francoise Cachin, Georges Riviere, Henri Matisse, Kathleen Adler, Kurt Badt, Matisse, Pablo Picasso, Paul Cezanne, Peter Morrell, Renoir, Richard W. Murphy, Ulrike Becks-Malorny, Zola
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