Tag Archives: Artaud

the theatre and the plague: everybody knows this is nowhere

Antonin Artaud based his Theater of Cruelty on the basis of reality being the double of theater. Two virtual realities representing individual duality that exist on parallel planes which never intersect. In this sense actors on the stage are not … Continue reading

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A SALTY DOG ON THE PORT SIDE

A communist sea dog who stayed away from the starboard, or right wing side of the battleship Potemkin.  Sergei Eisenstein‘s Potemkin was a film that proclaimed his faith as an artist of revolution and transcended it. It was a work … Continue reading

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