Tag Archives: Georges Seurat

the have-nots : not dark yet

Not sure the validity of all the figures here; as Jack Welch pointed out in the government job figures, there is always some jigging and jiving that can be teased out of the data; manipulation of numbers is a combination … Continue reading

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a gendered gaze

Exactly how many pieces of art are in the Louvre is not clear. At the most extreme is the assertion that there are 300,000 paintings and a minimum of 5,000 and the total pieces of art ranging from 35,000 to … Continue reading

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taking stock: dividend under the big tent

Art and money. It’s a toxic mix. Money values dominate art values and art has to be submissive to doctrine and ideology. Its called playing the game. Patronage has strings attached so that the art itself is a form of … Continue reading

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plasticity and re-mix

Plasticity a term from Sergei Eisenstein that referred to the fluidity and creative potential of animation that extended more profoundly than mere visual surface. It is the conflict of images in a montage of attraction in which the plasticity generates … Continue reading

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distortion: good from far but far from good

Distortion and fragmentation are the cliches, now almost generic that has come to dominate understanding of the modern figure at a mass level. Maybe it conveys the “creative destruction” of capitalism in its natural habitat? But, do any technical explanations … Continue reading

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when a meme used to meme something

Society of the Spectacle? Is this a reflection of the post-modern in its unwashed morning glory psychosis as the state of society? Pop art values of the sensational, at least socially, and an emotional hollowness part of capitalism’s ingenuity to … Continue reading

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shrink to fit : the matrix of 1000 true fanatics

Digital commerce and the selling of art and cultural products via the web, is a final stage in a long process of transition to code creating from image creating. The idea of creativity as code, art based on code instead … Continue reading

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in the pink

When Henri Matisse painted the Pink Blouse in 1924, he was a successfully established artist living in comfort in Nice. Some twenty years earlier, at another Mediterranean seaport, he had to struggle to shape his own distinctive style. It was … Continue reading

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poussin: showing your peasant

As Mondrian himself and many others have proved, mathematical perfection has a finality which is often fatal to art. That was a danger that threatened Nicolas Poussin. What saved him was the reappearance, around 1650, of a side of his … Continue reading

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sacred geometry: mathematics, matrimony & 1.656

Divine proportion and the divine right of kings? The sacred geometry of the ancient philosophers had always fascinated Leonardo Davinci, and interest he shared with other Renaissance artists like Albrecht Durer….. One very famous piece, known as the Mona Lisa, … Continue reading

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