Tag Archives: Fauvism

in the pink

When Henri Matisse painted the Pink Blouse in 1924, he was a successfully established artist living in comfort in Nice. Some twenty years earlier, at another Mediterranean seaport, he had to struggle to shape his own distinctive style. It was … Continue reading

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MATISSE: Cut,Paste & Taste

That Matisse would abandon oil painting and adopt a new technique so late in his career was a surprise to many people, although it need not have been. Paper cutouts were, of course, convenient for a semi-invalid, but Matisse had … Continue reading

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MATISSE: Line Dance With Color

Matisse emerged from WWII with a reputation among living painters second only to that of Picasso. The fresh interest in Matisse was stimulated by a late flowering in many phases of his art- drawings, book designs, and oil paintings- which … Continue reading

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MATISSE: “Abnormal to the Last Degree”

The man who created this exotic and compelling art was not easy to know. In 1913, the New York Times dispatched Clara T. MacChesney to interview “The King of the Fauves” in his home outside Paris. Aware that Matisse’s work … Continue reading

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EXUBERANT BUT NOT ABERRANT: No Orgies Of COLOR

Henri Matisse was termed a “wild beast”, a fauve. Traditional art was soon to become an irrelevancy, an anachronism, as experimental art began to develop its own audience, its own markets, and its own rationales apart from being merely anti-traditionalist. It seemed … Continue reading

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MATISSE & THE VIOLENCE OF COLOR: Painting Safari

The first “event” in twentieth century  art took place in Paris, regarded as the cultural capital of Western civilization, in 1905.  This exhibition showed the influence of nineteenth century developments of colour and distorted line from artists such as Van Gogh and Gauguin. … Continue reading

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MATISSE: KEEP SQUEEZING THE TUBE

One summer, early in the twentieth century, Henri Matisse, on the advice of Picasso, took his family to the seashore at Collioure in the south of France. There, in the light of the Mediterranean, a new way of painting came … Continue reading

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MATISSE:An Inner Loneliness of Precious Time

Art is the most intense mode of individualism that the world has known….No great artist ever sees things as they really are. If he did, he would cease to be an artist.( Oscar Wilde ) The birth of a wild … Continue reading

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ARCADIAN FANTASY: Mediterranean State of Mind

One summer early in the twentieth century,Henri Matisse took his family to the seashore. There, in the light of the Mediterranean, a new way of painting came forth. …. Picasso was the one who suggested that Henri Matisse and his … Continue reading

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BONNARD & LIBERATED FROM GRAVITY: ENDLESS SUMMER

The intense freshness of “the first moving instant vision” provoked by an object. But actually to copy that object increased the distance from that vision. There is always the danger,Pierre Bonnard felt, of the artist’s becoming caught by the incidentals … Continue reading

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