Tag Archives: Van Gogh

and they got their butts kicked

Essence, body and soul. Everything in perfect harmony. And the bad guys got whipped big time. Apparently. But that’s all water under the bridge, even if that H2O is a bit salty with tears. And they really do want the … Continue reading

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it will all end without having been completed

Merleau Ponty: We are fascinated by the classical idea of intellectual, adequation that partly mute “thought” sometimes leaves us with the impression of a significant swirl of significations, a paralyzed, miscarried utterance….What, then, is the secret science which he has … Continue reading

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The Sorceror’s Assistant

After his Mexican adventure, Antonin Artaud longed to visit other cultures that still believed in magic. A Dutch surrealist had given him an ancient cane with thirteen knots, and Artaud convinced himself that the magic cane had belonged to Saint-Patrick. … Continue reading

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the theatre and the plague: everybody knows this is nowhere

Antonin Artaud based his Theater of Cruelty on the basis of reality being the double of theater. Two virtual realities representing individual duality that exist on parallel planes which never intersect. In this sense actors on the stage are not … Continue reading

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theater of cruelty: take no prisoners

Dave: Throughout his life he was to plead for special consideration on the grounds that he was suffering and different from other men. He should be allowed to publish and act  not due to any particular merit, but because it … Continue reading

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collapse of the soul: the flux of the IT

He could never really control what he did or what he wrote. Artaud said these defects of form  were often rescued from complete nothingness. The raw results attributed to ” a collapse of the soul at its center, a kind … Continue reading

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vincent in arles: goodbye yellow brick house

… then in February 1888, during a snowstorm, came a Dutchman who saw Arles as the city had been waiting to be seen- a miracle of color beneath the golden sun. Vincent van Gogh adored “the sun pouring down bright … Continue reading

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MATISSE: Cut,Paste & Taste

That Matisse would abandon oil painting and adopt a new technique so late in his career was a surprise to many people, although it need not have been. Paper cutouts were, of course, convenient for a semi-invalid, but Matisse had … Continue reading

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PICASSO : Distortion and Ruthless attack on GOOD TASTE

Was it just new forms for old feelings? Are new feelings even possible? And were not these forms somehow recycled and repackaged from pre-Christian era civilizations? In any event, the innovations of modern art cannot be explained adequately on formal … Continue reading

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SEURAT: Trying To Connect The DOTS

…Seurat suspended work on the large canvas until the fall. When Seurat resumed work on La Grande Jatte in October 1885, he incorporated his new divisionist technique and color theories that he began formulating during the summer while painting in Grandcamp. For … Continue reading

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