Tag Archives: John Canaday

drawing on pre-human sources

Its an old idea. The typical John Doe sees an abstract expressionist painting, and explains to himself that there is no justice in this world. Why should the likes of Willam de Kooning, Jackson Pollock et al. be so immortalized … Continue reading

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PICASSO : Distortion and Ruthless attack on GOOD TASTE

Was it just new forms for old feelings? Are new feelings even possible? And were not these forms somehow recycled and repackaged from pre-Christian era civilizations? In any event, the innovations of modern art cannot be explained adequately on formal … Continue reading

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PAPER TIGERS : Hunting Traces of Solitude And GAIETY

In art sometimes, the more things change, the more nothing is the same. The paper cutouts were Matisse’s final flowering; a last expression of this articulation of traces of solitude and gaiety, what he called “the eternal conflict between drawing … Continue reading

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EXUBERANT BUT NOT ABERRANT: No Orgies Of COLOR

Henri Matisse was termed a “wild beast”, a fauve. Traditional art was soon to become an irrelevancy, an anachronism, as experimental art began to develop its own audience, its own markets, and its own rationales apart from being merely anti-traditionalist. It seemed … Continue reading

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MATISSE & THE VIOLENCE OF COLOR: Painting Safari

The first “event” in twentieth century  art took place in Paris, regarded as the cultural capital of Western civilization, in 1905.  This exhibition showed the influence of nineteenth century developments of colour and distorted line from artists such as Van Gogh and Gauguin. … Continue reading

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FROM CRAFTSMAN TO GENTLEMAN: AN ALLEGORICAL PREMISE

Albrecht Durer( 1471-1528 ) is usually called the greatest German artist, despite the importance accorded to Matthias Grunewald, whose more wild and fantastic fervor, even hallucinatory art, is more to the modern taste than Durer’s methodical exploration of the world … Continue reading

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