Tag Archives: Michelle Leight

MATISSE: Cut,Paste & Taste

That Matisse would abandon oil painting and adopt a new technique so late in his career was a surprise to many people, although it need not have been. Paper cutouts were, of course, convenient for a semi-invalid, but Matisse had … Continue reading

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MATISSE:Supreme Indifference to Context

During the war years, Matisse lived first in his apartment in Nice and later in a rented villa in the ancient hilltown of Vence, recovering slowly from the abdominal operation of March, 1941, that left him a semi-invalid for the … Continue reading

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PICASSO & ANXIETY IN 3D: Me, Myself and Aye Yay

Did Picasso show the hollowness of the everyday objects in his world because he disbelieved them, even as he acknowledged their existence? Although Picasso’s “Demoiselles D’Avignon” is clearly about Picasso’s own desire it is also an expression of his fear?, … Continue reading

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MATISSE: Line Dance With Color

Matisse emerged from WWII with a reputation among living painters second only to that of Picasso. The fresh interest in Matisse was stimulated by a late flowering in many phases of his art- drawings, book designs, and oil paintings- which … Continue reading

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PICASSO : Distortion and Ruthless attack on GOOD TASTE

Was it just new forms for old feelings? Are new feelings even possible? And were not these forms somehow recycled and repackaged from pre-Christian era civilizations? In any event, the innovations of modern art cannot be explained adequately on formal … Continue reading

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MATISSE:CUTOUTS BETWEEN REASON and FEELING

Ever simplifying and ever synthesizing; younger at eighty than at thirty, Matisse sat in his wheel chair, put aside paintbrush for scissors, and filled his sunset years with patterns of pure color. … “Matisse was the most important of the … Continue reading

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PAPER TIGERS : Hunting Traces of Solitude And GAIETY

In art sometimes, the more things change, the more nothing is the same. The paper cutouts were Matisse’s final flowering; a last expression of this articulation of traces of solitude and gaiety, what he called “the eternal conflict between drawing … Continue reading

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HENRI SCISSORHANDS

It was the final flowering of Henri Matisse. He was ever simplifying, ever synthesizing, acting younger at eighty than he was at thirty. He sat in his wheel chair and put aside paintbrush for scissors, filling his sunset years with … Continue reading

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INFIDELS: MADNESS,MYTH & MISTAKEN IDENTITY

There is in the “mythology of madness” the oft repeated story of radical therapy effect by Phillipe Pinel when he released the madmen and madwomen from their chains in Bicetre and Salpetriere hospitals in Paris in 1794. Pinel’s freeing of … Continue reading

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