Tag Archives: Donald Posner

good bye dear pictures

Cardinal Mazarin was the real ruler of France during the boyhood of Louis XIV and one of the greatest collectors in the history of art. The Bibliotheque  Nationale was once the Cardinal’s private palace. It was here, a few days … Continue reading

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PROTOCOL OF BEHAVIOR :Aesthetics Of Within And Without

The most important effect of his great work was its direct contradiction to the dogma of the Catholic church to that time. He was condemned by the church and his books burned. After all, he had come out and said … Continue reading

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IMPOSSIBLE WORLD: DISILLUSIONED SOULS AS A REFRAMED VALUE

Jean Antoine Watteau( 1684-1721) was thirty-three when he painted “Embarkation” . Two years later in 1719 he went to London to sonsult Dr. Richard mead, the queen’s physician, and was there subjected to such treatment as the best medical knowledge … Continue reading

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WATTEAU & UTOPIA ON STANDBY: THE GHOSTS OF STYLE

Should we let bygones be bygone eras?These are precious, because Watteau’s paintings so unmistakably draw meaning from and give memorable form to a certain now far distant subculture.He is a master of in-between situations….Watteau introduced just such a change of … Continue reading

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FORBIDDEN WORLD:IN THE SHADOW OF SELF-CONSCIOUSNESS

The forbidden world of Watteau. The witness of a life he could not share; one of France’s greatest painters transformed reality into the most poetic and lyrical visions in the history of art…. “This artist who said hardly anything about … Continue reading

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CARAVAGGIO: THE DUALITY OF BEAUTY & RUIN

Caravaggio’s faces, images and sensations are those of today, having far more immediacy, cutting edge and brute realism than anything by Damien Hirst or recent Turner Prize winners. Caravaggio was obsessed with the violence of life and painted the violence … Continue reading

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OBSESSION WITH VITALITY & DEATH: "CONNOISSEUR OF VIOLENCE"

Caravaggio’s novelty was a radical naturalism which combined close physical observation with a dramatic, even theatrical, use of Tenebrism, the shift from light to dark with little intermediate value. He burst upon the Rome art scene in 1600 with the … Continue reading

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REALITY CHECK: AT THE NEXUS OF DEATH & LOVE

“The religion whose savior is born in the humblest circumstances, who during his three year pubic ministry consorted mainly with lowlifes, criminals, publicans and the possessed and whose harrowing death on the cross was, in the words of St. Paul, … Continue reading

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EROS RUNNING WILD:CARDINAL SINS & LEGAL RUN-INS

“Indeed, Caravaggio may be indicating his taste for homoerotic subjects through his androgynous male figures, figures at once muscular and yet recognizably “feminine” in some of their poses and expressions. Since antiquity, the androgynous had been associated with effeminacy and … Continue reading

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CONTESTS BETWEEN LIGHT AND GLOOM

The word ‘spectacular’ is not amiss because, although Caravaggio aimed at total realism, he wanted drama too. It was the secret of his instant, direct appeal to the Church, to collectors, to fellow artists, to the public, then and since. … Continue reading

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