Tag Archives: Courbet

war and conflict: those pauses that refresh

Its the ultimate kitsch product. Coke. All style and form. No substance. Something with multiple layers of meaning exposing a vast fictionality of the object situated in a space between reality and illusion. Kitsch. Both imitative and its negation, kitsch … Continue reading

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SEURAT: Quest For The Redemption Of MATTER

Studies of Georges Seurat have usually focused on the subject matter; but there can be little doubt that the painter himself nailed his flag firmly to the mast of technical innovation. Technique was, as he wrote to his friend, the … Continue reading

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BOHEMIAN RHAPSODY:DON’T SIT ON THE GRASS

“A commonplace woman of the demimonde, as naked as can be, shamelessly lolls between two dandies dressed to the teeth. These latter look like schoolboys on a holiday, perpetrating an outrage to play the man…this is a young man’s practical … Continue reading

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REALITY CHECK: AT THE NEXUS OF DEATH & LOVE

“The religion whose savior is born in the humblest circumstances, who during his three year pubic ministry consorted mainly with lowlifes, criminals, publicans and the possessed and whose harrowing death on the cross was, in the words of St. Paul, … Continue reading

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FRENCH KISS IN THE DERRIERE: SKINNING THE RATS

He whose image we offer you, And whose art, subtle above all others’, Teaches us to laugh at ourselves, That man, reader, is a sage. –Charles Baudelaire, Verses in Honor of the Portrait of Monsieur Honoré Daumier The technique of … Continue reading

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AN AURAL EROTIC:DRUNK WITH PASSION

It was infinite ecstasy with ”la belle dame sans merci”. By the time of Berlioz’s ”Symphonie Fantastique” , he had won the Conservatoire’s Prix de Rome, a five year fellowship that entailed two years of residence at the French Academy … Continue reading

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PICASSO & WOMEN IN WAITING

”The Europeans had shown the way; yet the avant-garde American artists had to work desperately to break away from the influence of the School of Paris and especially from that Olympian, Pablo Picasso. Like the Collective Unconscious or the dreams … Continue reading

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FAMILIAR TRUTHS IN ''A PIMP'S PROFESSION''

“I never knew of but one artist, and this is Tom Eakins, who could resist the temptation to see what they think ought to be rather than what is.” – Walt Whitman. If the self-portrait below does not appear especially jubilant, … Continue reading

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ABSTRACT PLEASURE, DEEP ROOTED EXPRESSIONISM

Surrealism remained a powerful element in bohemian art and culture long after it had lost its novelty, shine and new car smell. It remained an attractive option for leftist artists and writers who were ill at ease with the post-Trotsky … Continue reading

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