Tag Archives: Egon Schiele

the color blue: hands-on experience

There is almost a synonymous relationship between modern art and various degrees of eroticism extending to the outright perverse, which was implicit from Manet and Picasso and remains a significant, even vital component in its post-modern manifestations straddling the blurred … Continue reading

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when the grass is too long…

The chief import of Gunter Grass’s The Tin Drum is neither nationalist satire nor the torment of lost identity. It is misanthropy, hated, the wish to shock and nauseate the reader. The book is full of cruelty; witnessed by Oscar, … Continue reading

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steal, conceal, & no deal : Blood Canvas

The theft of Art from occupied and conquered countries by the Nazis has been well-documented, and the complex legal issues in the recovery of stolen art, and legal title continues to be an emotional and divisive issue that touches more … Continue reading

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SILENCE FILLED WITH VIVID NOISELESS BOYS

After graduation and on the eve of his embarkation for France as a “gentleman volunteer” ambulance driver,John  Dos Passos’s letters almost exploded with rebellion. “I have been spending my time of late going to pacifist meetings and being dispersed by … Continue reading

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VIENNA & MISGUIDED GENIUS: Ambiguous Dreams and Joyful Apocalypse

Although scholars agreed that Vienna was not the only place where Modernism achieved sweeping successes, it was still common practice to regard “Vienna as the focal point of European Modernism” . Scholars consider that European Modernism reached its purest and most concentrated expression in Vienna … Continue reading

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GOODNIGHT VIENNA: Vagabonds Exiled to a Dark Void

Early twentieth-century Viennese modernity, obsessed with identity in crisis, was especially preoccupied with the play between external appearances and internal dimensions of the self. How could it not? No doubt, all roads eventually lead to Freud as part of the … Continue reading

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BONNARD & LIBERATED FROM GRAVITY: ENDLESS SUMMER

The intense freshness of “the first moving instant vision” provoked by an object. But actually to copy that object increased the distance from that vision. There is always the danger,Pierre Bonnard felt, of the artist’s becoming caught by the incidentals … Continue reading

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CARAVAGGIO: THE DUALITY OF BEAUTY & RUIN

Caravaggio’s faces, images and sensations are those of today, having far more immediacy, cutting edge and brute realism than anything by Damien Hirst or recent Turner Prize winners. Caravaggio was obsessed with the violence of life and painted the violence … Continue reading

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