Tag Archives: Adolf Loos

burying the dead ends

The avant-garde revolution was over. Ironically, their work also signified the end of avant-gardismĀ  and the onset of post-modernism. The avant-garde had become history. Its contradictions, the emptiness, the triumph of form over substance, essentially its transformation into rote kitsch … Continue reading

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GOODNIGHT VIENNA: Vagabonds Exiled to a Dark Void

Early twentieth-century Viennese modernity, obsessed with identity in crisis, was especially preoccupied with the play between external appearances and internal dimensions of the self. How could it not? No doubt, all roads eventually lead to Freud as part of the … Continue reading

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AUTUMN OF IMPERIAL VIENNA: Illusions Haunted by the Shadow of Death

When Adolf Hitler left provincial Linz in late adolescence there was only one place to go: Habsburg Vienna, the great imperial city, home to a veritable Babylon of peoples, the ineffable seat of an ancient empire. But the crowded streets … Continue reading

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