Tag Archives: Gustav Mahler

putting a broken century together

Arnold Schoenberg is generally seen as the composer who did to music what Jackson Pollock was to do to art. Discard the old rules and take it into new realms, psychological and emotional planes hitherto unexplored, or unrepresented in that … Continue reading

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VIENNA & MISGUIDED GENIUS: Ambiguous Dreams and Joyful Apocalypse

Although scholars agreed that Vienna was not the only place where Modernism achieved sweeping successes, it was still common practice to regard “Vienna as the focal point of European Modernism” . Scholars consider that European Modernism reached its purest and most concentrated expression in Vienna … Continue reading

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GOODNIGHT VIENNA: Vagabonds Exiled to a Dark Void

Early twentieth-century Viennese modernity, obsessed with identity in crisis, was especially preoccupied with the play between external appearances and internal dimensions of the self. How could it not? No doubt, all roads eventually lead to Freud as part of the … Continue reading

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AUTUMN OF IMPERIAL VIENNA: Illusions Haunted by the Shadow of Death

When Adolf Hitler left provincial Linz in late adolescence there was only one place to go: Habsburg Vienna, the great imperial city, home to a veritable Babylon of peoples, the ineffable seat of an ancient empire. But the crowded streets … Continue reading

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TAKE A WALTZ: A Kampf of Bohemian Rhapsodies

Now in Vienna there’s ten pretty women There’s a shoulder where Death comes to cry There’s a lobby with nine hundred windows There’s a tree where the doves go to die There’s a piece that was torn from the morning … Continue reading

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ONCE UPON A TIME…

Napoleon’s armies overran Germany….”but not only did we seek something of consolation in the past, our hope, naturally, was that this course of ours should contribute somewhat to the return of a better day.” While “foreign persons, foreign manners, and … Continue reading

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SWEET DREAMS & FLYING MACHINES

Won’t you look down upon me, Jesus You’ve got to help me make a stand You’ve just got to see me through another day My body’s aching and my time is at hand And I won’t make it any other … Continue reading

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FINE LINE BETWEEN THE HEROIC & THE IDIOTIC

No other artist has made such ferocious demands upon his performers and the public. Richard Wagner, an autocrat, not only wrote the libretto and the music; often with total disregard for the human voice; but also flung into the score … Continue reading

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