Tag Archives: Simon Schama

self hatred: caging the instinct into decoration

Get Back. Get back to where you once belonged. Can art exist if it falls off the precipice into a void where there is no transformational effect on the individual and little or nothing to do with what constitutes the … Continue reading

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Sundown on the golden age

When Jan de Witt became defacto head of the Dutch republic it ushered in an era of prosperity and liberalism, for the time, that was unheard of. Dutch commerce, trade, and especially the arts developed an identity that has been … Continue reading

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golden age : reveling in “glorious simplicity”

The Golden Age of the Dutch was the era of Jan de Witt. The Dutch bested the great powers of the world in the arts and science before the reactionary House of Orange put him to death, which marked the … Continue reading

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Golden Guilders: going dutch with jan de witt

Under Jan de Witt, the Dutch bested the great powers at both arms and commerce, arts and science. However, in a moment of panic they killed him and the Dutch Golden Age turned to lead. So much of what we … Continue reading

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UTOPIAN DREAMS & SCHEMES and IN-BETWEENS

What is Utopia and why does it attract both hope and skepticism in equal measure?  In a way that appears meaningful, it is a productive inner tensions between two tendencies: a positive optimistic utopianism and a negative utopian pessimism. A … Continue reading

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UTOPIA: PARADISE DEFERRED, DELAYED & DETOURED

Its the Utopians versus the Dystopians, and at this juncture the latter have prevailed.  Communities with European roots embraced the equalizing demands and freedoms of the New World’s open frontier, even as the new country claimed the pursuit of happiness … Continue reading

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AN OBSESSION WITH UNREASON: Absolute and Faithless Doubt

Caravaggio has become the ultimate old master superstar; his only real rival is Vermeer. It was a great if sadly short career. Caravaggio’s work was an expression of awareness of the precariousness of a reason that can at any moment be compromised, … Continue reading

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REAL MAD, SOMEWHAT BAD & A LOT OF KITSCH

Henry Fuseli’s ghostly and frightening subject-matter was a visual continuum of the Gothic novel, which developed an aesthetics of terror and horror, was occupied with dreams and the unconscious, and often looked back to the feudal world. Fuseli once said, … Continue reading

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US AND THEM: THE MADCAP LAUGHS

Henry Fuseli’s painting “The Mandrake” , now lost, struck the aging Horace Walpole as “shockingly mad, madder than ever, quite mad!” But Fuseli would hardly have regarded that as an insult. Much of the time he was trading on madness … Continue reading

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THE DODGY MASTER: PSST… ITS EROTIC ABSOLUTISM

“Besides foreshadowing Warhol, Rubens amounted to the Walt Disney of his day—a hardworking industrialist of standardized pleasures. He not only ran his studio as a virtual assembly line; he oversaw the mass production of prints, based on his paintings, and … Continue reading

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