Tag Archives: Stephane Mallarme

fathers and sons: leaving traces

It was a school that combined crafts and fine arts, and conceptually followed a basic  idea that mass-production was reconcilable with  individual artistic spirit. Founded at Weimar in 1919, Bauhaus concepts of art were particularly influenced by Modernism. That is, … Continue reading

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claudel: before the poison

She was seventeen and wanted to be a sculptor. He was forty-one. He was Auguste Rodin on the verge of  taking to the heights of the French art world, being compared to genius of Michelangelo. He had overcome the major … Continue reading

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balzac in tormented bronze: oveheated with emotional excess

When is a sculpture not just a sculpture? That it is so intertwined with politics that its initial artistic impulse becomes lost in the quagmire of the partisan. That is what transpired with the sculpture of Honore de Balzac executed … Continue reading

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CONFUSION SAYS: Matisse and the Passion of Constant Motion

His whole career, said Matisse, could be thought of as a progress toward clarity and simplification: “A constant struggle for complete expression with a minimum of elements. ” Actually, his career had many meanings, as any great artist’s must, but … Continue reading

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PICASSO, Visual Violence and the Unbinding of Desire: JUST BECAUSE

After the first World War, Andre Breton came to Picasso’s studio….. saw Les Demoiselles d’Avignon and recognised it as the definitive modern masterpiece. Breton, the leader of the surrealists, saw in it a painting about the revolutionary menace of the … Continue reading

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DETONATING VOCABULARY: Invisible Fame Of An Anti-Language

The final paradox of the search for purity is that it is an attempt to force experience into logical categories of non-contradiction. But experience is not amenable and those who make the attempt find themselves led into contradiction. — Mary Douglas A publisher … Continue reading

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ASPIRING ONLY TO SILENCE

In “The Painter of Modern Life,” Baudelaire is the first to define Modernism and does so as a conjunction of the eternal and the ephemeral. To find that element of the eternal in the ephemeral which Baudelaire saw as embodying … Continue reading

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LOST GENERATION : RECLAIMED FROM THE WASTELAND

The Lost Generation is a term used to describe a group of American writers who were rebelling against what America had become by the 1900’s. At this point in time, America had become a great place to, “go into some … Continue reading

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TRUTH AS COMEDY: FIDDLER ON JANE AUSTEN’S ROOF

Some critics describe Jane Austen’s works as novels of social comedy. When she wrote Pride and Prejudice she was just twenty-one years old. Her literary life was comprised between 1786 and 1817. A characteristic for the eighteenth century was the … Continue reading

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REAL IMPRESSIONS: NOBLESSE OBLIGE LESS

In contrast with Post-Impressionism and the avant-garde trends of the twentieth century the painters of French Naturalism and Impressionism rarely gave verbal expression to their aesthetics. “The most solid base for the work of art is reality constantly studied.” ( … Continue reading

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