Tag Archives: Vincent Van Gogh

surreal values: spiritually adrift in the value traps

In spite of recounting at length her zealotry for “trash” and “kitsch,” which she famously claimed to prefer over serious minded films, Seligman never calls Kael to task for disingenuously backing away from her clarion call of the 1960s. “When … Continue reading

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unconscious aggression: the blind minotaur

“When one has no character, one must have a method.” (Camus ) How can one reconcile such an atrocious human being with art? Unless its an art that glorifies the ugly, the sadistic; an impulse drunk on misogyny that craved … Continue reading

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doctor’s orders

Vincent Van Gogh’s Portrait of Dr. Gachet captures the resignation and despair that characterized his last physician. Gachet touches a sprig of foxglove- a medicinal herb symbolic of his profession- and stares with devastating pathos into the void. The doctor’s … Continue reading

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tony award

Is painting like acting? According to Christopher Knight there is a strong demand for celebrity art. The idea of modern art lacking aesthetic content and that content being contrived to create a phantom depth does have a connection with acting. … Continue reading

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freudian slide into nihilism

Maybe the problem is a mimicry of art historical forms without connecting to the poetic myths that animated and gave life to these forms. That is, the aura of the profound is a falsification in that the depth of the … Continue reading

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artfully preserved

The paintings may appear a bit superficial, an air of being quickly rendered and spontaneous, like Bob Ross “deep” , but they were painstakingly and deliberately wrought … Franz Hals is at the Met and the seventeenth-century Dutch master has … Continue reading

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muse without meals : manna and madness

The timeless stereotype of the mad artist dies hard. But, sometimes there are a few kernels of truth within the myth, or enough examples to sustain it.  It seems axiomatic to state that artists have always, with certain exceptions, been … Continue reading

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gotta serve somebody

However different the society’s they pictured, both Otto Dix and Toulouse Lautrec represented a society in which the proletariat underclass or the under-underclass served the bourgeois upper echelons.  And, war and sex, in the sense of romantic realism were seen … Continue reading

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The Sorceror’s Assistant

After his Mexican adventure, Antonin Artaud longed to visit other cultures that still believed in magic. A Dutch surrealist had given him an ancient cane with thirteen knots, and Artaud convinced himself that the magic cane had belonged to Saint-Patrick. … Continue reading

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the theatre and the plague: everybody knows this is nowhere

Antonin Artaud based his Theater of Cruelty on the basis of reality being the double of theater. Two virtual realities representing individual duality that exist on parallel planes which never intersect. In this sense actors on the stage are not … Continue reading

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